Composer
Jacques Offenbach
German-born French composer (1819–1880)
1819–1880
404 works in the index
- Born
- 1819
- Died
- 1880
- Birthplace
- Cologne
- Citizenship / historical state
- Kingdom of Prussia
- Period (estimated from birth year)
- Romantic
Biography
Jacques Offenbach, a native of Cologne, came to Paris in 1833 and made himself at home. By1848, which as it happened, was the year of the overthrow of the Orléanist monarchy, Offenbach had risen to become head of the orchestra of the Théâtre-Français.
Offenbach is a towering figure in the development of comic opera, or operetta, or as it became known in French opéra bouffe. Among his best-known works in this vein: Orphée aux enfers (Orpheus in the Underworld) (1858), La Belle Hélène(1864),and La Grande Duchesse de Gérolstein (1867).
Perhaps the most beloved of his works, though, is one that was never performed until after his death, Contes dâHoffman (Tales of Hoffman), which was based loosely on the historical figure of Ernst Theodor Amadeus (E.T.A.) Hoffman, an influential German author of fantasies. Offenbach and his collaborators re-worked some of Hoffmanâs stories to make of him a character therein.
In this catalogue
- Common listed instruments
- Voice, Piano, Cello, Accordion, Organ
- Genres represented
- Classical, Rock, Pop, Children, Christmas
- Works with composition dates
- 12 of 404
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 9
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Down in the Valley | — | — | — | Piano, Organ, Accordion | Classical | 4 |
| Elisa (Polka-Trilby) | — | — | — | Piano | Classical | 4 |
| London Bridge Is Falling Down | — | — | — | Flute | Classical | 4 |
| Battle Hymn Of The Republic | — | — | — | Recorder | Rock, Classical | 4 |
| Michael Row The Boat Ashore | — | — | — | Recorder | Rock, Classical | 4 |
| Hot Cross Buns | — | — | — | Cello | Rock, Classical | 4 |
| Cancan | — | — | — | Piano, Guitar, Accordion | Jazz, Classical, pop | 4 |
| Wearing Of The Green | — | — | — | Harmonica | Rock, Classical | 4 |
| Believe Me, If All Those Endearing Young Charms | — | — | — | Cello, Harmonica | Rock, Classical | 4 |
| Voici les valseurs (Offenbach-Tales of Hoffmann) | — | — | — | Voice | Classical | 5 |
| Du, Du Liegst Mir im Herzen | — | — | — | Piano, Organ, Accordion | Classical | 4 |
| Irish Washerwoman | — | — | — | Piano, Organ, Accordion | Classical | 4 |
| When Irish Eyes Are Smiling | — | — | — | Piano, Organ, Accordion | Classical | 4 |
| Intermezzo | — | — | — | Cello | Classical | 4 |
| Serenade | — | — | — | Cello | Classical | 4 |
| Rondo in C | — | — | — | Cello | Classical | 4 |
| Barcarole | — | — | — | — | Classical | 4 |
| La Belle Hélène: Ouverture | — | — | — | Piano, Flute, violin, Voice, Horn, Clarinet, Trombone, Recorder, Voice Tenor | Classical | 5 |
| Barbe-bleue | — | — | — | Voice, Vocal | Classical | 3 |
| Robinson Crusoé | 1867IMSLP | — | — | — | Classical | 3 |
| Un mari à la porte | — | — | — | — | Classical | 3 |
| Big Spender (Sweet Charity) | — | — | — | Piano | Classical | 3 |
| Chorale (Bach) | — | — | — | Piano | Classical | 4 |
| Death And The Maiden (Schubert) | — | — | — | Piano | Classical | 3 |
| Fascination (Marchetti) | — | — | — | Piano | Classical | 3 |
| Barcorolle From Tales Of Hoffman | — | — | — | Clarinet | Classical | 4 |
| Blow Away The Morning Dew | — | — | — | Recorder | Rock, Classical | 3 |
| Cascades | — | — | — | Recorder | Rock, Classical | 3 |
| Once There Were Three Fishermen | — | — | — | Recorder | Rock, Classical | 3 |
| The Marines' Hymn | — | — | — | Guitar | Classical | 4 |
| She Wore A Yellow Ribbon | — | — | — | Harmonica | Rock, Classical | 2 |
| Glou! Glou! (Offenbach-Tales of Hoffmann) | — | — | — | Voice | Classical | 3 |
| Ah! vivre deux! (Offenbach-Tales of Hoffmann) | — | — | — | Voice | Classical | 3 |
| Malheureux, tu ne comprends | — | — | — | Voice | Classical | 2 |
| Jour et nuit je me mets | — | — | — | Voice | Classical | 4 |
| C'est une chanson d'amour | — | — | — | Voice | Classical | 4 |
| Pour conjurer le danger | — | — | — | Voice | Classical | 3 |
| When The Saints Go Marching In | — | — | — | Piano, Organ, Accordion | Classical | 3 |
| Love Somebody | — | — | — | Piano, Organ, Accordion | Classical | 2 |
| La Bonne d'enfants, Couplets de Dorothee | — | — | — | — | Classical | 2 |
| Orphée aux Enfers: Acte II, Scene 2. Galop Infernal | — | — | — | Piano, Flute | Classical | 3 |
| Les deux pêcheurs | 1857IMSLP | — | — | — | Classical | 2 |
| Je voyais bien votre tendresse, from La Creole | — | — | — | — | Classical | 2 |
| Doux jus de la pomme, from Jeanne qui Pleure et Jean qui Rit | — | — | — | — | Classical | 3 |
| Ce qu'il me faut servir, from La Jolie Parfumeuse | — | — | — | — | Classical | 3 |
| Can Can Dance | — | — | — | Piano | Rock, Classical | 2 |
| Amazing Grace | — | — | — | Piano | Rock, Classical | 2 |
| Canon (Scriabin) | — | — | — | Piano | Classical | 3 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 10034167. Portrait: Nadar, Public domain, via Wikimedia Commons.