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Portrait of Jean-Philippe Rameau

Composer

Jean-Philippe Rameau

French composer and music theorist (1683–1764)

1683–1764

292 works and musical collections

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Born
1683
Died
1764
Birthplace
Dijon
Place of death
Paris
Citizenship / historical state
Kingdom of France
Period (estimated from birth year)
Baroque

Biography

Jean-Philippe Rameau (; French: [ʒɑ̃filip ʁamo]; (1683-09-25)25 September 1683 – (1764-09-12)12 September 1764) was a French composer and music theorist of the late Baroque era. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.

Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony.

Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, and he was later attacked as an "establishment" composer by those who favoured Italian opera during the controversy known as the Querelle des Bouffons in the 1750s. Rameau's music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, his work is frequently performed and recorded.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
composer; choreographer; musicologist; music theorist; organist; harpsichordist; theorist; writer; musician
Education
Collège des Godrans
Recorded memberships
Académie des Sciences, Arts et Belles-Lettres de Dijon
Instruments played
violin
Movements
Baroque music
Notable works
Dardanus; Pièces de clavecin en concerts; Traité de l'harmonie réduite à ses principes naturels; Pièces de Clavecin; Castor et Pollux; Les Indes galantes; Hippolyte et Aricie; Platée
Awards
Order of Saint Michael
Languages used
French
VIAF ID
39563041
ISNI
0000000122785978
GND ID
118598090
Library of Congress ID
n50000571
MusicBrainz ID
b29a3b55-785c-4072-9daf-0153cac864b6

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
Piano, Organ, Voice, percussion, harpsichord
Genres represented
Classical, Jazz, Pop
Source entries with composition dates
16

These details describe the indexed sheet music, including arrangements.

Catalogue

Sheet music catalogue page 7 of 7

Instruments describe listed editions, including arrangements. Composition dates and keys appear where recorded; collection pages show their individual contents.

Works and musical collections with sheet music details
Title Work details Listed instruments Sheet music
Rameau for Violin Duo See work details
  • violin
View sheet music Work & edition details
Danse des sauvages, for Saxophone Quartet - Score & Parts See work details
  • Saxophone
View sheet music Work & edition details
Allemande, Courante and 'Le Rappel Des Oiseaux' From Pieces De Clavecin See work details See edition details Classical View sheet music Work & edition details
Les Sauvages From Nouvelles Suites De Pieces De Clavecin See work details See edition details Classical View sheet music Work & edition details

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 39563041. Portrait: Attributed to Joseph Aved / Formerly attributed to Jean-Baptiste-Siméon Chardin, Public domain, via Wikimedia Commons.