Composer
Johannes Brahms
1833–1897
4,957 works in the index
- Born
- 1833
- Died
- 1897
- Birthplace
- Hamburg
- Citizenship / historical state
- Hamburg
- Period (estimated from birth year)
- Romantic
Biography
Brahms wrote densely and revised ruthlessly, destroying what did not satisfy him, so the surviving catalogue is smaller than his contemporaries' and uniformly serious. It covers symphonies, concerti, a large body of chamber music, songs and late piano pieces.
For pianists the late Op. 116–119 pieces are the heart of it — short, inward and technically less punishing than the earlier sonatas, though musically demanding. The Hungarian Dances in their four-hand form are the most-played thing he wrote and are genuinely approachable. Singers have over two hundred songs and the German Requiem.
His piano writing assumes a large hand and comfortable tenths appear regularly. Editions differ little; what varies is fingering, and an edition with good fingering is worth paying for here.
In this catalogue
- Common listed instruments
- Piano, Voice, Choir, Low Voice, Orchestra
- Genres represented
- Classical, Jazz, pop, Pop, Christmas
- Works with composition dates
- 255 of 4,957
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 12 of 104
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Zigeunerlieder | 1887–88IMSLP | — | — | Piano, Voice, Tenor, Voice Soprano, Alto | Classical | 7 |
| Hungarian Dance No. 5: Clarinets, Violin, Cell | — | — | — | — | — | 4 |
| Brahms Lullaby: Clarine | — | — | — | — | — | 4 |
| Hungarian Dance No. 5: Clarinet Quarte | — | — | — | — | — | 5 |
| Rhapsody No. 2 in G minor: Op. 79, No. | — | Op. 79 | G minor | — | — | 5 |
| 4. How Lovely Are Thy Dwellings (Chorus) (HMC761) | — | — | — | bass, Tenor, Choir, Alto | Classical | 4 |
| O Komme, Holde Sommernacht | — | — | — | Voice High, Low Voice | Classical | 8 |
| 8. Auf dem Schiffe | — | — | — | Low Voice | Classical | 6 |
| 67. Brauner Bursche | — | — | — | Voice, Choir | Classical | 7 |
| 3. O Tod, o Tod wie bitter | — | — | — | — | Classical | 9 |
| Der Jager (Huntsman) | — | — | — | Voice, Tenor, Alto, A Cappella, Voice High, Low Voice | Classical | 5 |
| Der Gang Zum Liebchen (the Watchful Lover) | — | — | — | Piano, Voice, Voice High, Low Voice | Classical | 11 |
| Der Tod,Das Ist Die Kuhle Nacht | — | — | — | Voice, Low Voice | Classical | 4 |
| O Lieliche Wangen (Sweet Cheeks-) | — | — | — | Voice | Classical | 6 |
| Trennung (The Parting) | — | — | — | Piano, Voice, Low Voice | Classical | 10 |
| Der J?ger | — | — | — | Piano, Voice, Low Voice | Classical | 7 |
| Wir m?ssen uns trennen | — | — | — | Low Voice | Classical | 5 |
| The Little Dustman | — | — | — | Low Voice | Classical | 5 |
| ?ber die See | — | — | — | Low Voice, Piano | Classical | 4 |
| Mein Herz ist schwer | — | — | — | Low Voice | Classical | 6 |
| Love long tried hath long endured | — | — | — | — | Classical | 6 |
| Scheiden und Meiden | — | — | — | Piano, Voice, Low Voice | Classical | 5 |
| In Der Ferne | — | — | — | Piano, Voice, Low Voice | Classical | 5 |
| Erlaube mir, feins M?dchen | — | — | — | Piano, Low Voice | Classical | 4 |
| Sonata for Piano and Violoncello, E minor, op. 38 (Violoncello and piano) | — | op. 38 | — | Piano | Classical | 2 |
| Sonate f-moll | — | — | — | Piano, Clarinet, Viola | Classical | 6 |
| Sonata for Clarinet (or Viola) and piano, E flat major, Op. 120, no. 2 | — | Op. 120, no. 2 | — | Piano | Classical | 5 |
| 13. Primo - X Presto | — | — | — | Piano | Classical | 4 |
| 1. Secondo - VI Vivace | — | — | — | Piano | Classical | 5 |
| Im Herbst | — | — | — | Tenor, Alto, A Cappella | Classical | 5 |
| Symphony No. 1 in C Minor, First Movement Excerpt | — | — | C minor | Piano, Oboe, violin, Voice, Recorder, Piccolo | Classical | 6 |
| Piano Concerto No. 2, First Movement Excerpt | — | — | — | Piano | Classical | 5 |
| O wusst'ich doch den Weg zuruch | — | — | — | Voice High, Low Voice | Classical | 5 |
| Symphony No. 1 | — | — | — | Piano | — | 5 |
| Fantasies, op. 116,1-7 (Piano solo) | — | op. 116 | — | Piano, harpsichord | Classical | 4 |
| Capriccio In D Minor, Op.116 | — | Op.116 | D minor | Piano | Classical | 7 |
| Intermezzo In F Min.,Op.118 | — | Op.118 | — | Piano | Classical | 7 |
| Romance In F, Op.118 | — | Op.118 | — | Piano | Classical | 6 |
| Second Sonata, Op.2 | — | Op.2 | — | Piano | Classical | 5 |
| Variations On Theme Of Schumann | — | — | — | Piano | Classical | 6 |
| Intermezzo, A major, op. 118,2 (Piano solo) | — | op. 118 | — | Piano, harpsichord | Classical | 5 |
| Intermezzo, A minor, op. 118,1 (Piano solo) | — | op. 118 | — | Piano, harpsichord | Classical | 5 |
| Keyboard Harmony | — | — | — | Piano | Classical | 5 |
| Intermezzo, B flat minor, op. 117,2 (Piano solo) | 1892Wikidata | op. 117 | — | Piano, harpsichord | Classical | 5 |
| Ballad, D major, op. 10,2 (Piano solo) | — | op. 10 | — | Piano | Classical | 5 |
| Opus 117 #2 - Intermezzo | — | Opus 117 | — | Piano | Classical | 5 |
| Opus 117 #3 - Intermezzo | — | Opus 117 | — | Piano | Classical | 5 |
| Opus 118 #1 - Intermezzo | — | Opus 118 | — | Piano | Classical | 4 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 7573295. Portrait: C. Brasch , Berlin ( biography ), Public domain, via Wikimedia Commons.