Composer
Johannes Brahms
1833–1897
4,957 works in the index
- Born
- 1833
- Died
- 1897
- Birthplace
- Hamburg
- Citizenship / historical state
- Hamburg
- Period (estimated from birth year)
- Romantic
Biography
Brahms wrote densely and revised ruthlessly, destroying what did not satisfy him, so the surviving catalogue is smaller than his contemporaries' and uniformly serious. It covers symphonies, concerti, a large body of chamber music, songs and late piano pieces.
For pianists the late Op. 116–119 pieces are the heart of it — short, inward and technically less punishing than the earlier sonatas, though musically demanding. The Hungarian Dances in their four-hand form are the most-played thing he wrote and are genuinely approachable. Singers have over two hundred songs and the German Requiem.
His piano writing assumes a large hand and comfortable tenths appear regularly. Editions differ little; what varies is fingering, and an edition with good fingering is worth paying for here.
In this catalogue
- Common listed instruments
- Piano, Voice, Choir, Low Voice, Orchestra
- Genres represented
- Classical, Jazz, pop, Pop, Christmas
- Works with composition dates
- 255 of 4,957
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 26 of 104
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| 13 Canons | 1859-91IMSLP | — | — | — | Classical | 1 |
| Ein deutsches Requiem | 1865–68IMSLP | — | — | Piano, Harp, Organ, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Trombone, Timpani, Trumpet | Classical | 2 |
| 7 Fantasien | 1892IMSLP | — | — | — | Classical | 2 |
| Francaise | — | — | — | — | Classical | 2 |
| Horn Trio | 1865IMSLP | — | — | Piano, violin | Classical | 2 |
| 6 Lieder and Romances | 1883IMSLP | — | — | — | Classical | 2 |
| 3 Motets | 1889IMSLP | — | — | — | Classical | 2 |
| Piano Sonata No.1 | 1852–53IMSLP | — | — | Piano | Classical | 2 |
| 5 Poems | 1858–59IMSLP | — | — | Voice | Classical | 2 |
| 4 Quartets | 1877 ca. (No.1), 1884 ca. (Nos.2-4)IMSLP | — | — | Piano, Tenor, Voice Soprano, Alto | Classical | 2 |
| String Quintet No.2 | 1890IMSLP | — | — | Cello | Classical | 2 |
| Tafellied | 1884IMSLP | — | — | — | Classical | 2 |
| Triumphlied | 1870–71IMSLP | — | — | Timpani, Tuba, Contrabassoon, Baritone | Classical | 2 |
| 15 Volkskinderlieder | 1857IMSLP | — | — | voice piano | Classical | 2 |
| Sonata in F minor, 1st Movement: Op. 120, No. | — | Op. 120 | F minor | — | — | 2 |
| I. Selig sing, die da Leid tragen | — | — | — | Choir | Classical | 3 |
| II. Denn alles Fleisch es ist wie Gras | — | — | — | Choir | Classical | 3 |
| German Requiem | — | — | — | Choir | Classical | 2 |
| Auf Dem Kirchhofe | — | — | — | Piano, Voice, Voice High, Low Voice | Classical | 9 |
| 13. Erinnerung | — | — | — | Voice, Voice High, Low Voice | Classical | 8 |
| 29. Madchen spricht | — | — | — | Low Voice | Classical | 4 |
| 63. He, Zigeuner | — | — | — | — | Classical | 4 |
| Damm'rung Senkte Sich Von Oben | — | — | — | Voice High, Low Voice | Classical | 2 |
| Komm Bald! (Come Soon) | — | — | — | Voice, Low Voice | Classical | 6 |
| Meine Liebe ist gr?n | — | — | — | Piano, Low Voice | Classical | 4 |
| Nachtwandler | — | — | — | Piano, Voice, Low Voice | Classical | 5 |
| Sch?n war, das ich dir weihte | — | — | — | Piano, Low Voice | Classical | 2 |
| Der Tod, das ist die k?hle Nacht | — | — | — | Piano, Low Voice | Classical | 4 |
| Meerfahrt | — | — | — | Piano, Voice, Low Voice | Classical | 5 |
| Das M?dchen spricht | — | — | — | Piano, Voice, Low Voice | Classical | 3 |
| Traun! Bogen und Pfeil | — | — | — | Low Voice | Classical | 4 |
| Romances from Magelone No 4, Love came forth from far off places | — | — | — | Low Voice | Classical | 3 |
| Verzweiflung | — | — | — | Voice, Low Voice | Classical | 3 |
| Romances from Magelone No 10, Despair | — | — | — | Low Voice | Classical | 3 |
| Nachklang | — | — | — | Voice | Classical | 5 |
| Klosterfraulein | — | — | — | Alto | Classical | 3 |
| Die Henne (Broody Hen) | — | — | — | Piano, Voice, Low Voice | Classical | 4 |
| Denn es gehet dem Menschen | — | — | — | Voice, Low Voice | Classical | 5 |
| Ich wandte mich und sahe an alle | — | — | — | Low Voice | Classical | 6 |
| Klage II | — | — | — | Low Voice | Classical | 3 |
| O k?hler Wald | — | — | — | Low Voice | Classical | 4 |
| Spannung | — | — | — | Voice, Low Voice | Classical | 3 |
| Klage | — | — | — | Piano, Low Voice | Classical | 2 |
| Ein Wanderer | — | — | — | Voice | Classical | 3 |
| An die Stolze | — | — | — | Voice | Classical | 3 |
| Die Mainacht | — | — | — | Voice High | — | 2 |
| Must we then once more be parted | — | — | — | — | Classical | 3 |
| Twas for thee, for thee my lips were burning | — | — | — | — | Classical | 3 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 7573295. Portrait: C. Brasch , Berlin ( biography ), Public domain, via Wikimedia Commons.