Composer
Johannes Brahms
1833–1897
4,957 works in the index
- Born
- 1833
- Died
- 1897
- Birthplace
- Hamburg
- Citizenship / historical state
- Hamburg
- Period (estimated from birth year)
- Romantic
Biography
Brahms wrote densely and revised ruthlessly, destroying what did not satisfy him, so the surviving catalogue is smaller than his contemporaries' and uniformly serious. It covers symphonies, concerti, a large body of chamber music, songs and late piano pieces.
For pianists the late Op. 116–119 pieces are the heart of it — short, inward and technically less punishing than the earlier sonatas, though musically demanding. The Hungarian Dances in their four-hand form are the most-played thing he wrote and are genuinely approachable. Singers have over two hundred songs and the German Requiem.
His piano writing assumes a large hand and comfortable tenths appear regularly. Editions differ little; what varies is fingering, and an edition with good fingering is worth paying for here.
In this catalogue
- Common listed instruments
- Piano, Voice, Choir, Low Voice, Orchestra
- Genres represented
- Classical, Jazz, pop, Pop, Christmas
- Works with composition dates
- 255 of 4,957
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 9 of 104
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Wisst ihr, wann mein Kindchen, Op. 103 no. 3 - D-Dur/D major Performed by Johannes Brahms | 1887–88IMSLP | Op. 103 no. 3 | — | Choir | Classical | 6 |
| Die Nonne | 1859–60IMSLP | — | — | Voice, Choir | Classical | 6 |
| Die Meere: Alle Winde schlafen | 1858–60IMSLP | — | — | Voice, Choir | Classical | 7 |
| Ladybird | — | — | — | Low Voice | Classical | 6 |
| Sonatas in C Op. 1 | — | Op. 1 | — | Piano | Classical | 7 |
| Hungarian Dances Nos. 1-10 | — | — | — | Piano | Classical | 6 |
| Hungarian Dance Number 5 | — | — | — | Viola | Classical | 6 |
| Rhapsody Op.119,No.4 | — | Op.119,No.4 | — | Piano, Organ | Classical | 6 |
| I Said, "I Will Forget Thee" | — | — | — | Trombone | Classical | 7 |
| O Blessed Jesu | — | — | — | — | Classical | 7 |
| Intermezzo in E-Flat Major [Op. 117, No. 1] | 1892Wikidata | Op. 117, No. 1 | E-Flat major | Piano | Classical | 8 |
| Ballade Op.10 No.1 | — | Op.10 No.1 | — | Piano | Classical | 7 |
| Two Songs | — | — | — | Piano | Classical | 6 |
| Requiem | — | — | — | violin, bass, Tenor, Alto | Classical | 6 |
| Nicht mehr zu dir zu gehen, Op. 32, No. 2 | 1864IMSLP | Op. 32, No. 2 | — | — | Classical | 8 |
| Finale Performed by Johannes Brahms | — | — | — | Piano, Cello, Flute, violin | Classical | 6 |
| Zigeunerlied in D Major | — | — | D major | Cello | Classical | 6 |
| Intermezzo E flat major Op. 117, No. 1 | 1892Wikidata | Op. 117, No. 1 | — | — | Classical | 7 |
| 6 Songs, Op. 3 - 2b. Liebe und Fruhling I Performed by Johannes Brahms | — | Op. 3 | — | — | Classical | 6 |
| 6 Songs, Op. 6 - 6. Nachtigallen schwingen | — | Op. 6 | — | — | Classical | 7 |
| 6 Songs, Op. 7 - 3. Anklange | — | Op. 7 | — | — | Classical | 7 |
| 6 Songs, Op. 7 - 5. Die Trauernde | — | Op. 7 | — | — | Classical | 7 |
| Songs and Romances, Op. 14 - 7. Standchen | — | Op. 14 | — | — | Classical | 7 |
| 5 Poems, Op. 19 - 4. Der Schmied | — | Op. 19 | — | — | Classical | 6 |
| Hungarian Dance in F | — | — | — | Piano | Classical | 7 |
| Clarinet Sonata No. 1 in F Minor, Op. 120 (2nd movement | — | Op. 120 | F minor | Piano | Classical | 5 |
| Am Sonntag Morgen Op.49 No. 1 - Score | — | Op.49 No. 1 | — | Piano | Classical | 6 |
| Geheimnis Op.71 No. 3 - Score | — | Op.71 No. 3 | — | Piano | Classical | 6 |
| Meerfahrt Op.96 No. 4 - Score | — | Op.96 No. 4 | — | Piano | Classical | 6 |
| Immer leiser wird mein Schlummer Op.105 No. 2 - Score | 1986Wikidata | Op.105 No. 2 | — | Piano | Classical | 6 |
| Salamander Op.107 No. 2 - Score | — | Op.107 No. 2 | — | Piano | Classical | 6 |
| Liebestreu Op. 3 No. 1 - Score | — | Op. 3 No. 1 | — | Piano, Voice | Classical | 6 |
| Treue Liebe Op. 7 No. 1 - Score | — | Op. 7 No. 1 | — | Piano, Voice | Classical | 6 |
| Der Schmied Op.19 No. 4 - Score | — | Op.19 No. 4 | — | Piano | Classical | 6 |
| Die Kränze Op.46 No. 1 - Score | — | Op.46 No. 1 | — | Piano | Classical | 6 |
| He! Zigeuner Op.103 No. 1 - Score | — | Op.103 No. 1 | — | Piano | Classical | 6 |
| Lieber Gott, du weisst Op.103 No. 4 - Score | — | Op.103 No. 4 | — | Piano | Classical | 6 |
| Brauner Bursche Op.103 No. 5 - Score | — | Op.103 No. 5 | — | Piano | Classical | 6 |
| Wisst ihr, wann mein Kindchen Op.103 No. 3 - Score | — | Op.103 No. 3 | — | Piano | Classical | 6 |
| Röslein dreihe in der Reihe Op.103 No. 6 - Score | — | Op.103 No. 6 | — | Piano | Classical | 6 |
| Kommt dir manchmal in den Sinn Op.103 No. 7 - Score | — | Op.103 No. 7 | — | Piano | Classical | 6 |
| Rote Abendwolken zieh'n am Firmament Op.103 No. 8 - Score | — | Op.103 No. 8 | — | Piano | Classical | 6 |
| An die Nachtigall Op.46 No. 4 - Score | — | Op.46 No. 4 | — | Piano, Voice | Classical | 6 |
| Sonntag Op.47 No. 3 - Score | — | Op.47 No. 3 | — | Piano | Classical | 6 |
| Der Gang zum Liebchen Op.48 No. 1 - Score | — | Op.48 No. 1 | — | Piano | Classical | 6 |
| An ein Veilchen Op.49 No. 2 - Score | — | Op.49 No. 2 | — | Piano, Voice | Classical | 6 |
| Wiegenlied Op.49 No. 4 - Score | — | Op.49 No. 4 | — | Piano | Classical | 6 |
| O wüsst' ich doch den Weg zurück Op.63 No. 8 - Score | — | Op.63 No. 8 | — | Piano | Classical | 6 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 7573295. Portrait: C. Brasch , Berlin ( biography ), Public domain, via Wikimedia Commons.