Composer
John Dowland
1563–1626
412 works in the index
- Born
- 1563
- Died
- 1626
- Birthplace
- London
- Citizenship / historical state
- Kingdom of England
- Period (estimated from birth year)
- Renaissance
Biography
Dowland wrote the finest lute songs in English and made a career out of melancholy, which he seems to have found both genuine and marketable.
The songs — Flow My Tears, Come Again, In Darkness Let Me Dwell — were published in a form that lets them be sung as a solo with lute or as a four-part consort, printed so the singers could sit around one table and read from different sides of the page. Modern editions usually give voice with either lute tablature or a keyboard realisation.
For guitarists, the lute solos transfer well and are among the most rewarding early music available, though the tuning differs from the guitar and editions handle that in different ways: some transpose, some retune the third string. Check which before you start learning.
In this catalogue
- Common listed instruments
- Guitar, Voice, Piano, Lute, Recorder
- Genres represented
- Classical, pop, Pop, Jazz
- Works with composition dates
- 5 of 412
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 1 of 9
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" | — | — | — | Piano, Guitar, Voice, Vocal, Choir, Tuba | Classical | 31 |
| The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" | — | — | — | Piano, Organ, Cello, violin, Voice, Vocal, Choir, Recorder, Lute, Low Voice, Viola, Tenor Saxophone | Jazz, Classical | 23 |
| Fine Knacks for Ladies | — | — | — | Piano, Organ, Guitar, Voice, Choir, Recorder, Lute, Low Voice | Classical, Pop | 21 |
| Lachrimae or Seven Teares: Lachrimae Antiquae | — | — | — | Piano, Voice, Recorder | Classical | 13 |
| The First Booke of Songs or Ayres, No. 20: "Come, Heavy Sleep" | — | — | — | Piano, Organ, Voice, Lute, Low Voice | Classical | 13 |
| It Was A Time (Dowland J) | — | — | — | Guitar, Voice | Classical | 12 |
| The First Booke of Songs or Ayres, No. 5: "Can She Excuse My Wrongs?" | — | — | — | Piano, Organ, Guitar, Voice, Lute, Low Voice | Classical | 13 |
| Lady Hunsdon's Puffe, P. 54 | — | — | — | Piano, Guitar, Recorder, Lute | Classical, Pop | 13 |
| The First Booke of Songs or Ayres, No. 4: "If My Complaints Could Passions Move" | — | — | — | Piano, Organ, Flute, Voice, Lute, Low Voice | Classical | 12 |
| The Second Booke of Songs or Ayres, No. 19: "Shall I Sue, Shall I Seek for Grace?" | — | — | — | Piano, Guitar, Voice, Recorder, Lute | Classical | 10 |
| Come ye Heavy States of Night | — | — | — | Voice, Recorder, Lute | Classical | 9 |
| The First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part" | — | — | — | Piano, Organ, Cello, violin, Voice, Recorder, Lute, Low Voice, Viola | Classical | 6 |
| The First Booke of Songs or Ayres, No. 9: "Go Crystal Tears" | — | — | — | Piano, Organ, Cello, violin, Voice, Recorder, Lute, Low Voice, Viola | Classical | 6 |
| Then Sit Thee Down (the second part) | — | — | — | Voice, Lute | Classical | 7 |
| Wilson's Wilde (Anon) | — | — | — | Guitar, Dulcimer | Classical | 10 |
| Fortune | — | — | — | Guitar, Lute | Classical | 7 |
| Sir John Longston, His Pavan | — | — | — | Guitar, Lute | Classical | 8 |
| Mrs. White's Nothing | — | — | — | — | Classical | 10 |
| Rest Awhile You Cruel Cares | — | — | — | Piano, Organ, Voice, Lute, Low Voice | Classical | 9 |
| Disdain Me Still (Dowland J) | — | — | — | Guitar, Voice | Classical | 6 |
| My Lord Chamberlain | — | — | — | — | Classical | 5 |
| 2. Galliard | — | — | — | — | — | 83 |
| (Susanna)-Pavan (Johann Sommer) | — | — | — | Recorder | Classical | 8 |
| Complaint | — | — | — | — | Classical | 6 |
| Den lieben langen Tag | — | — | — | Mandolin | Classical | 7 |
| My Lord Willoughby's Welcome Home, P. 66a | — | — | — | Guitar | Classical | 5 |
| What If I Never Speed | — | — | — | Guitar, Voice, Choir | Classical | 10 |
| Sleep, Wayward Thoughts | — | — | — | Piano, Organ, Guitar, Voice, Lute, Low Voice | Classical | 8 |
| Flow not so fast - | — | — | — | Recorder | Classical | 6 |
| Awake,Sweet Love | — | — | — | Piano, Guitar, Voice | Classical | 6 |
| Now, O Now My Needs Must Part | — | — | — | Tuba | Classical | 6 |
| Almain | — | — | — | — | Classical | 5 |
| Nrs. Nichol's Alman | — | — | — | — | Classical | 5 |
| Lachrimæ, or Seaven Teares: Semper Dowland semper Dolens | 1604* or beforeIMSLP | — | — | Flute, Oboe, violin | Classical | 6 |
| The Second Booke of Songs or Ayres, No. 3: "Sorrow, Stay" | — | — | — | Piano, Organ, Low Voice | Classical | 7 |
| The First Booke of Songs or Ayres, No. 18: "His Golden Locks" | — | — | — | Piano, Organ, Voice, Lute, Low Voice | Classical | 5 |
| Third Book of Songs: No. 15, Weepe You No More Sad Fountains | — | — | — | Guitar, Cello, violin, Voice, Choir, Recorder, Lute, Viola | Classical | 5 |
| Orlando Sleepeth, P. 61 | — | — | — | Piano, Guitar | Classical | 7 |
| My Bonnie Lass She Smileth (Thomas Morley Arr. John E. West) | — | — | — | Choir | Classical | 4 |
| Wilt Thou, Unkind, Thus Reave Me | — | — | — | Piano, Organ, Voice, Lute, Low Voice | Classical | 4 |
| Awake, Sweet Love, Thou Art Returned | — | — | — | Piano, Organ, Voice, Lute, Low Voice | Classical | 5 |
| Mourn, Day Is with Darkness Fled | — | — | — | Piano, Organ, Voice, Lute, Low Voice | Classical | 6 |
| Faction that Ever Dwells | — | — | — | Voice, Lute | Classical | 5 |
| Tarleton's Riserrectione | — | — | — | Recorder | Classical | 7 |
| Greensleeves (Francis Cutting) | — | — | — | Guitar | Classical | 4 |
| My Love Hath Vowed (Thomas Campion) | — | — | — | Guitar | Classical | 4 |
| Toy For Two Lutes (Thomas Robinson) | — | — | — | Guitar | Classical | 3 |
| When From My Love (John Bartlet) | — | — | — | Guitar | Classical | 4 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 14744124. Portrait: Unknown, CC BY-SA 4.0, via Wikimedia Commons.