Composer
John Dowland
1563–1626
412 works in the index
- Born
- 1563
- Died
- 1626
- Birthplace
- London
- Citizenship / historical state
- Kingdom of England
- Period (estimated from birth year)
- Renaissance
Biography
Dowland wrote the finest lute songs in English and made a career out of melancholy, which he seems to have found both genuine and marketable.
The songs — Flow My Tears, Come Again, In Darkness Let Me Dwell — were published in a form that lets them be sung as a solo with lute or as a four-part consort, printed so the singers could sit around one table and read from different sides of the page. Modern editions usually give voice with either lute tablature or a keyboard realisation.
For guitarists, the lute solos transfer well and are among the most rewarding early music available, though the tuning differs from the guitar and editions handle that in different ways: some transpose, some retune the third string. Check which before you start learning.
In this catalogue
- Common listed instruments
- Guitar, Voice, Piano, Lute, Recorder
- Genres represented
- Classical, pop, Pop, Jazz
- Works with composition dates
- 5 of 412
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 9 of 9
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Lachrimae: Lachrimae Antiquae | — | — | — | harpsichord | — | 2 |
| Lachrimae Antiquae Novae | — | — | — | harpsichord | — | 2 |
| Lachrimae Gementes | — | — | — | harpsichord | — | 2 |
| Lachrimae Tristes | — | — | — | harpsichord | — | 2 |
| Lachrimae Coactae | — | — | — | harpsichord | — | 2 |
| Lachrimae Amantis | — | — | — | harpsichord | — | 2 |
| Semper Dowland semper dolens | — | — | — | harpsichord | — | 2 |
| Sir Henry Umpton's Funerall | — | — | — | harpsichord | — | 2 |
| The King od Denmark's Galiard | — | — | — | harpsichord | — | 2 |
| The Earl of Essex Galiard | — | — | — | harpsichord | — | 2 |
| Sir John Souch his Galiard | — | — | — | harpsichord | — | 2 |
| M. Henry Noel his Galiard | — | — | — | harpsichord | — | 2 |
| M. Giles Hobies Galiard | — | — | — | harpsichord | — | 2 |
| M. Nicholas Gryffith his Galiard | — | — | — | harpsichord | — | 2 |
| M. Thomas Collier his Galiard with 2 Trebles | — | — | — | harpsichord | — | 2 |
| Captaine Digorie Piper his Galiard | — | — | — | harpsichord | — | 2 |
| M. Buctons Galiard | — | — | — | harpsichord | — | 2 |
| Mistresse Nichols Almand | — | — | — | harpsichord | — | 2 |
| M. George Whitehead his Almand | — | — | — | harpsichord | — | 2 |
| Pieces from other sources: Susanna Galliard | — | — | — | harpsichord | — | 2 |
| Paduan | — | — | — | harpsichord | — | 2 |
| Courante | — | — | — | harpsichord | — | 2 |
| Appendix: Pavan | — | — | — | harpsichord | — | 2 |
| Aria | — | — | — | harpsichord | — | 2 |
| Doulands Almaine | — | — | — | harpsichord | — | 2 |
| Fuga | — | — | — | harpsichord | — | 2 |
| Come Again, Sweet Love Doth Now Invite [High Voice] | — | — | — | Vocal | Classical | 1 |
| Mistress Winter's Jump | — | — | — | Guitar | Classical | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 14744124. Portrait: Unknown, CC BY-SA 4.0, via Wikimedia Commons.