Composer
Ludwig van Beethoven
1770–1827
7,703 works in the index
- Era
- Classical
- Nationality
- Electorate of Cologne
- Born in
- Bonn
Beethoven sits on the hinge between the Classical style he inherited and the Romantic one he made possible, and the catalogue spans both: thirty-two piano sonatas, sixteen string quartets, nine symphonies, five piano concerti and a large body of songs and chamber music.
The piano sonatas are the most-bought and the most misjudged. The famous ones — the Moonlight, the Pathétique, the Waldstein — are advanced works, and the first movement of the Moonlight being playable early does not make the rest of it so. The genuine starting points are the two sonatas of Op. 49 and the bagatelles, including the one everyone knows as Für Elise.
He revised heavily and his manuscripts are difficult, so editions disagree about specific notes and markings more than you might expect from a composer this recent. If you are working with a teacher, use theirs.
Catalogue
Works page 91 of 161
Romance, from the "Ritterballet", WoO1, No. 4
"St. Patrick's Day" in F Major, Op. 107, No. 4
German Dance in E-flat Major, WoO13, No. 9
Waltz in E-flat Major, WoO84
Beethoven: Symphonies 1, 2, 3 & 4 in Full Score - Full Score
Postludes: Prayer
Jolly-Sad, WoO 5
Piano Trio No. 4 in B-flat Major, Op. 11 - Piano Score
Violin Sonata No. 3 in E-flat Major, Op. 12, No. 3 - Set of Parts
Violin Sonata No. 5 - Violin - Violin
Siegesmarsch, No. 3 from "König Stephan", Op. 117 - Full Score
Menuetto - Flute 3
Violin Sonata No. 1 - Piano Score - Piano Score
Melodrama 1: Du hast dein Vaterland, dein Fürstenhaus verlassen, No. 5 from "König Stephan", Op. 117 - Full Score
String Quartet No. 10 in E-flat Major, Op. 74 - Cello
String Quartet No. 11 in F Minor, Op. 95 - Cello
String Quartet No. 15 in A Minor, Op. 132 - Violin 2
Vienna, Vienna, No. 2 from "Der glorreiche Augenblick", Op. 136 - Full Score
In meinen Mauern bauen, No. 5 from "Der glorreiche Augenblick", Op. 136 - Full Score
Mass in C Major, No. 3: Credo - Full Score
Missa Solemnis, No. 5: Benedictus - Full Score
Op. 18, No. 5, Movement 3 - Andante cantabile - Score
Symphony No. 6, Movement 2 - Full Score
Overture from "König Stephan", Op. 117 - Full Score
Op. 133 - Violin 1 - Violin 1
String Quartet No. 1 in F Major, Op. 18, No. 1 - Violin 1
Piano Sonata No. 13 in E-flat Major, Op. 27, No. 1, "Quasi una fantasia"
String Quartet No. 3 in D Major, Op. 18, No. 3 - Viola
Cello Sonata No. 1 in F Major, Op. 5, No. 1 - Piano Score
Piano Quartet No. 1 in E-flat Major, WoO 36 - Viola
String Quartet No. 15 in A Minor, Op. 132 - Score and Parts
String Quartet No. 16 in F Major, Op. 135 - Cello
Cello Sonata No. 3 in A Major, Op. 69 - Cello
Für Elise - Set of Parts
Symphony No. 9, Movement 2 - Full Score
Symphony No. 9, Movement 4 - Full Score
Tochter des mächtigen Zeus!, No. 1 from "Die Ruinen von Athen", Op. 113 - Full Score
Harmonie auf dem Theater, No. 5 from "Die Ruinen von Athen", Op. 113 - Full Score
Wir tragen empfängliche Herzen, No. 7 from "Die Ruinen von Athen", Op. 113 - Full Score
Two Cadenzas to Piano Transcription of Violin Concerto in D Major, Op. 61a
The Ruins of Athens Overture
Fidelio, Op. 72, No. 6: Marsch
Fidelio, Op. 72, No. 9: "Abscheulicher! Wo eilst du hin?"
Fidelio, Op. 72, No. 15: "O namen, namenlose Freude!"
String Quartet No. 13 in B-flat Major, Op. 130 - Score and Parts
String Quartet No. 14 in C-sharp Minor, Op. 131 - Score and Parts
Violin Sonata No. 9 in A Major, Op. 47 - Set of Parts
Symphony No. 9 in D Minor, Op. 125 - Full Score
Dates, era and nationality from Wikidata, matched on name and verified against any dates already held here. The biography above is our own. Portrait: Joseph Karl Stieler, Public domain, via Wikimedia Commons.