Composer
Sergei Rachmaninoff
1873–1943
1,041 works in the index
- Born
- 1873
- Died
- 1943
- Birthplace
- Semenovo
- Citizenship / historical state
- Russian Empire
- Period (estimated from birth year)
- Modern
Biography
Rachmaninoff wrote for his own hands, which were exceptionally large, and the catalogue carries the consequences: much of the piano music demands a stretch that a substantial number of players simply do not have.
The C sharp minor prelude, Op. 3 No. 2, is the piece everyone starts with and it is genuinely playable early. The rest of the Op. 23 and Op. 32 preludes vary from difficult to very difficult. The Vocalise exists in arrangements for almost every instrument and is the most useful thing here for non-pianists. The Second and Third Concertos are professional repertoire.
Check the stretch before buying. Editions occasionally offer alternative smaller-hand versions of specific chords, and where they do, the listing usually says so.
In this catalogue
- Common listed instruments
- Piano, Voice, Orchestra, Clarinet, violin
- Genres represented
- Classical, Jazz, Pop
- Works with composition dates
- 108 of 1,041
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 2 of 22
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Etudes-tableaux | 1911IMSLP | — | — | Piano | Classical | 7 |
| Morceaux de salon | 1893–94Wikidata | — | — | Piano | Classical | 6 |
| "Oh, Stay, My Love, Forsake Me Not!" | — | — | — | Voice | Classical | 9 |
| Opus 3, No. 2 | — | Opus 3, No. 2 | — | Piano | Classical | 8 |
| Barcarolle (Op.10 No.3) | — | Op.10 No.3 | — | Piano | Classical | 8 |
| Melodie Op. 3 No. 3 | — | Op. 3 No. 3 | — | Piano | Classical | 6 |
| Prelude in B Major | — | — | B major | Piano | Classical | 8 |
| Prelude in G minor | — | — | G minor | Piano | Classical | 6 |
| Melodie, Opus 3, No. 3 (Revised) | — | Opus 3, No. 3 | — | Piano | — | 6 |
| Polichinelle, Opus 3, No. 4 | — | Opus 3, No. 4 | — | Piano | — | 9 |
| Etude-Tableau Op. 33, #7 | 1911Wikidata | Op. 33 | — | Piano | Classical | 8 |
| Polichinelle, Opus 3 | — | Opus 3 | — | Piano | — | 7 |
| Fantaise-tableaux (Suite No. 1), Op. 5 | 1893IMSLP | Op. 5 | — | Piano | Classical | 5 |
| Mélodie in E Major [Op. 3, No. 3] | 1887–88?IMSLP | Op. 3, No. 3 | E major | Piano | — | 7 |
| Moment Musical in D-Flat [Op. 16, No. 5] | — | Op. 16, No. 5 | — | Piano | — | 8 |
| Symphony No. 2 In E Minor, Opus 27 | — | Opus 27 | E minor | Clarinet | Classical | 8 |
| Melody [Edited by Eugene Levinson] | — | — | — | — | — | 7 |
| Prelude, Op. 3, Melodie in E | — | Op. 3 | — | Organ | — | 7 |
| Symphony No. 2 in E Minor, Op. 27 | — | Op. 27 | E minor | Piano, Harp, Organ, Cello, Flute, Oboe, violin, Bassoon, Orchestra, Double Bass, Horn, Clarinet, Timpani, percuss | Classical | 18 |
| Rachmaninoff: Piano Pieces, Op. 10 | — | Op. 10 | — | Piano | — | 8 |
| 6 Romances | 1916IMSLP | — | — | voice piano | — | 6 |
| Scherzo | 1888* (February 5-21)IMSLP | — | — | Piano, Horn, Timpani, Trumpet | — | 9 |
| Suite No.2 | 1900–01IMSLP | — | — | Piano | Classical | 6 |
| "Oh, Never Sing To Me Again" | — | — | — | Voice | Classical | 7 |
| "The World Would See Thee Smile" | — | — | — | Voice | Classical | 8 |
| Opus 32, No. 2 | — | Opus 32, No. 2 | — | Piano | Classical | 7 |
| Sonata Op. 3, No. 2 | — | Op. 3, No. 2 | — | Piano | Classical | 4 |
| Ten Preludes Op. 23 | — | Op. 23 | — | Piano | — | 6 |
| Prelude in C major Op.32 No.1 | 1910Wikidata | Op.32 No.1 | C major | Piano | Classical | 7 |
| Prelude in G# minor Op. 3 No. 12 | — | Op. 3 No. 12 | G-sharp minor | Piano | Classical | 7 |
| Valse Op. 10 No. 2 | — | Op. 10 No. 2 | — | Piano | Classical | 6 |
| Prelude in G Minor Op. 23, #5 | — | Op. 23 | G minor | Piano | Classical | 7 |
| Nocturne | — | — | — | Piano | Classical | 5 |
| Prelude Op3#2 | — | Op3 | — | Piano | — | 7 |
| III. Les larmes | — | — | — | Piano | Classical | 7 |
| Piano Concerto #2 Theme from 3rd Movement | — | — | — | Piano, Organ, Guitar, Cello, Flute, Oboe, violin, Bassoon, Horn, Clarinet, English Horn, Viola | — | 12 |
| Eighteenth Variation | — | — | — | Piano, Guitar | — | 7 |
| An Die Nachtigall | — | — | — | — | Classical | 6 |
| Sérénade in B-Flat Minor [Op. 3, No. 5] | — | Op. 3, No. 5 | B-Flat minor | Piano | — | 8 |
| Prelude in B Minor [Op. 32, No. 10] | 1910Wikidata | Op. 32, No. 10 | B minor | Piano | Classical | 6 |
| Prelude in A [Op. 32, No. 9] | 1910Wikidata | Op. 32, No. 9 | — | Piano | — | 7 |
| Prelude in B [Op. 32, No. 11] | 1910Wikidata | Op. 32, No. 11 | — | Piano | — | 8 |
| Concerto No. 2 in C Minor Op. 18 Theme | — | Op. 18 | C minor | Piano | Classical | 7 |
| Prelude in G Major, Op. 32, No. 5 | 1910Wikidata | Op. 32, No. 5 | G major | Piano, Flute | Classical | 4 |
| Francesca da Rimini : Ah, do not weep, my Paulo | — | — | — | — | — | 4 |
| Rachmaninoff: Moments Musicaux, Op. 16 | — | Op. 16 | — | Piano | — | 6 |
| Symphony no. 2 in E minor, op. 27: III. Adagio | — | op. 27 | E minor | Piano | Classical | 7 |
| Morceaux de fantaisie, op. 3: no. 1 Elégie in E-flat minor | — | op. 3 | E-flat minor | Piano | Classical | 6 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 60326614. Portrait: Kubey-Rembrandt Studios, Public domain, via Wikimedia Commons.