Composer
Sergei Rachmaninoff
1873–1943
1,041 works in the index
- Born
- 1873
- Died
- 1943
- Birthplace
- Semenovo
- Citizenship / historical state
- Russian Empire
- Period (estimated from birth year)
- Modern
Biography
Rachmaninoff wrote for his own hands, which were exceptionally large, and the catalogue carries the consequences: much of the piano music demands a stretch that a substantial number of players simply do not have.
The C sharp minor prelude, Op. 3 No. 2, is the piece everyone starts with and it is genuinely playable early. The rest of the Op. 23 and Op. 32 preludes vary from difficult to very difficult. The Vocalise exists in arrangements for almost every instrument and is the most useful thing here for non-pianists. The Second and Third Concertos are professional repertoire.
Check the stretch before buying. Editions occasionally offer alternative smaller-hand versions of specific chords, and where they do, the listing usually says so.
In this catalogue
- Common listed instruments
- Piano, Voice, Orchestra, Clarinet, violin
- Genres represented
- Classical, Jazz, Pop
- Works with composition dates
- 108 of 1,041
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 3 of 22
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Études-tableaux, op. 33: No. 6 in E-flat major | 1911Wikidata | op. 33 | E-flat major | Piano, violin | Classical | 4 |
| Liebesfreud, TN iii/5/2 (after Kriesler's Alt-Wiener Tanzweisen No.2) | — | — | — | Piano | Classical | 11 |
| 12 Romances, op. 21: no. 7 "How nice it is here" in A major | — | op. 21 | A major | Voice | Classical | 8 |
| Cello Sonata | 1901IMSLP | — | — | — | — | 5 |
| Isle of the Dead | 1909IMSLP | — | — | Piano, Harp, Organ, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Timpani, Tuba, English Horn | — | 5 |
| The Rock | 1893IMSLP | — | — | Harp, Tambourine, Triangle, Timpani, Tuba, Tamtam, Piccolo, Cymbals, Drum | — | 5 |
| Trio élégiaque | 1893IMSLP | — | — | Piano, Cello, violin | — | 5 |
| Morning | — | — | — | Voice | Classical | 6 |
| "So Many Hours, So Many Fancies" | — | — | — | Voice | Classical | 7 |
| The Soldier's Wife | — | — | — | Voice | Classical | 7 |
| "How Few The Joys" | — | — | — | Voice | Classical | 7 |
| "Come, Let Us Rest" | — | — | — | Voice | Classical | 6 |
| "Before My Window" | — | — | — | Voice | Classical | 8 |
| "So Dread A Fate I'll Ne'er Believe!" | — | — | — | Voice | — | 7 |
| No. 5: Romance | — | — | — | Piano | Classical | 6 |
| Ave Maria (Ave Maria) - F-Dur/F major | — | — | — | Choir | — | 5 |
| Opus 32, No. 11 | — | Opus 32, No. 11 | — | Piano | Classical | 6 |
| Barcarolle Op. 10 No. 3 | — | Op. 10 No. 3 | — | Piano | Classical | 5 |
| Polichinelle in F# Minor op. 3 | — | op. 3 | F-sharp minor | Piano | Classical | 5 |
| Prelude in A Minor | — | — | A minor | Piano | Classical | 6 |
| Prelude in F major Op. 23 No. 6 | — | Op. 23 No. 6 | F major | Piano | Classical | 7 |
| Prelude in Gb minor Op. 23 No. 10 | — | Op. 23 No. 10 | G-flat minor | Piano | Classical | 6 |
| Nocturne No. 2 | — | — | — | Piano | — | 6 |
| Romance Op. 10, #6 | — | Op. 10 | — | Piano | Classical | 6 |
| Untitled Composition | — | — | — | Piano | Classical | 6 |
| No. 3 in B Minor | — | — | B minor | Piano | Classical | 5 |
| No. 6 in A Minor | — | — | A minor | Piano | Classical | 6 |
| Melodie In E, Opus 3, No. 3 | — | Opus 3, No. 3 | — | Piano | Classical | 6 |
| Prelude In G Minor, Opus 23, No. 5 | — | Opus 23, No. 5 | G minor | Piano | Classical | 6 |
| Suite from Violin Partita in E | — | — | — | Piano | — | 5 |
| No. 4: Polichinelle | — | — | — | Piano | Classical | 6 |
| Piano Concerto No. 3 in D Minor, Op. 30 | — | Op. 30 | D minor | Piano, Harp, Organ, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Timpani, percussion, Viola | Classical | 19 |
| Humoresque, Opus 10 | — | Opus 10 | — | Piano | — | 6 |
| IV. Tantella | — | — | — | Piano | Classical | 6 |
| Theme | — | — | — | Piano | Classical | 8 |
| Piano Concerto #3 Theme from 1st Movement | — | — | — | Piano, Organ, Guitar, Cello, Flute, Oboe, violin, Bassoon, Horn, Clarinet, English Horn, Viola | Classical | 20 |
| Piano Concerto #2 - Theme from 1st Movement | — | — | — | Piano, Organ, Guitar, Cello, Flute, Oboe, violin, Bassoon, Clarinet, Viola | — | 12 |
| Piano Concerto (Main Theme) | — | — | — | Harmonica | — | 5 |
| Island,The | — | — | — | Piano, Voice | — | 5 |
| Prelude in B-Flat [Op.23, No. 2] | — | Op.23, No. 2 | — | Piano | — | 6 |
| Prelude in D Minor [Op. 23, No. 3] | — | Op. 23, No. 3 | D minor | Piano | Classical | 4 |
| Preludein C Minor [Op. 23, No. 7] | — | Op. 23, No. 7 | — | Piano | — | 6 |
| Prelude in E [Op. 32, No. 3] | 1910Wikidata | Op. 32, No. 3 | — | Piano | — | 6 |
| Prelude in E Minor [Op. 32, No. 4] | 1910Wikidata | Op. 32, No. 4 | E minor | Piano | Classical | 5 |
| Romance Op. 6 No. 1 | 1900–02IMSLP | Op. 6 No. 1 | — | Piano, violin | — | 6 |
| Symphony No. 1 in D Minor, Op. 13 | — | Op. 13 | D minor | Piano, Harp, Organ, Cello, Flute, Oboe, violin, Bassoon, Double Bass, Horn, Clarinet, Timpani, percussion, Viola | — | 17 |
| 15. | 1872–80 (unfinished)*IMSLP | — | — | — | — | 992 |
| Morceaux de salon, op. 10, no. 5: Humoresque | — | op. 10, no. 5 | — | — | — | 1 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 60326614. Portrait: Kubey-Rembrandt Studios, Public domain, via Wikimedia Commons.