Composer
Johannes Brahms
1833–1897
4,957 works in the index
- Born
- 1833
- Died
- 1897
- Birthplace
- Hamburg
- Citizenship / historical state
- Hamburg
- Period (estimated from birth year)
- Romantic
Biography
Brahms wrote densely and revised ruthlessly, destroying what did not satisfy him, so the surviving catalogue is smaller than his contemporaries' and uniformly serious. It covers symphonies, concerti, a large body of chamber music, songs and late piano pieces.
For pianists the late Op. 116–119 pieces are the heart of it — short, inward and technically less punishing than the earlier sonatas, though musically demanding. The Hungarian Dances in their four-hand form are the most-played thing he wrote and are genuinely approachable. Singers have over two hundred songs and the German Requiem.
His piano writing assumes a large hand and comfortable tenths appear regularly. Editions differ little; what varies is fingering, and an edition with good fingering is worth paying for here.
In this catalogue
- Common listed instruments
- Piano, Voice, Choir, Low Voice, Orchestra
- Genres represented
- Classical, Jazz, pop, Pop, Christmas
- Works with composition dates
- 255 of 4,957
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 21 of 104
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Sapphic Ode, Op. 94 No. 4 | — | Op. 94 No. 4 | — | Voice | Classical | 3 |
| 21. Jager | — | — | — | Low Voice | Classical | 5 |
| 45. Schnsucht | — | — | — | — | Classical | 5 |
| 48. Standchen 'Der Mond steht uber dem Berge' | — | — | — | Piano, Voice | Classical | 6 |
| 55. Vorschneller Schwur | — | — | — | Voice, Voice High, Low Voice | Classical | 8 |
| 60. Wie Melodien zieht es | — | — | — | — | Classical | 3 |
| 61. Wir Wandelten | — | — | — | Piano, Voice, Voice High, Low Voice | Classical | 11 |
| 69. Kommt dir manchmal | — | — | — | — | Classical | 5 |
| Des Liebsten Schwur | — | — | — | Piano, Voice, Voice High, Low Voice | Classical | 7 |
| Dort in den Weiden | — | — | — | Voice | Classical | 5 |
| Salamander | — | — | — | Voice, Voice High, Low Voice | Classical | 8 |
| So willst du des Armen | — | — | — | Low Voice | Classical | 5 |
| Wie schnell verschwindet | — | — | — | Low Voice | Classical | 5 |
| Wie froh und frisch | — | — | — | Low Voice | Classical | 5 |
| The May-night | — | — | — | — | Classical | 5 |
| Unbewegte laue Luft | — | — | — | Voice High, Low Voice | Classical | 7 |
| Auf dem See | — | — | — | Voice, Low Voice | Classical | 6 |
| Regenlied | — | — | — | Voice, Voice High, Low Voice | Classical | 8 |
| Die Schwestern | — | — | — | Alto | Classical | 4 |
| Marienwurmchen (Ladybird) | — | — | — | Voice | Classical | 5 |
| Klage I | — | — | — | Voice, Low Voice | Classical | 5 |
| In den Beeren | — | — | — | Voice, Low Voice | Classical | 4 |
| Fr?hlingslied | — | — | — | Low Voice | Classical | 3 |
| Minnelied | — | — | — | Voice High | — | 3 |
| In der Fremde | 1852Wikidata | — | — | Voice, Voice High, Low Voice | Classical | 5 |
| Spanisches Lied | — | — | — | Voice, Voice High, Low Voice | Classical | 6 |
| Die Trauernde | — | — | — | Low Voice | Classical | 4 |
| Vom verwundeten Knaben | — | — | — | Low Voice | Classical | 3 |
| Wie rafft ich mich auf in der Nacht | — | — | — | Low Voice | Classical | 4 |
| Ich schell mein Horn ins Jammertal | — | — | — | Low Voice | Classical | 4 |
| Die Schale der Vergessenheit | — | — | — | Voice, Low Voice | Classical | 4 |
| W?hrend des Regens | — | — | — | — | Classical | 3 |
| Eine gute, gute Nacht | — | — | — | — | Classical | 4 |
| Maria ging aus wandern | — | — | — | Low Voice | Classical | 4 |
| Schwesterlein | — | — | — | Voice, Choir, Low Voice | Classical | 4 |
| All' mein' Gedanken | — | — | — | Low Voice | Classical | 4 |
| Wie komm ich denn zur T?r herein | — | — | — | Low Voice | Classical | 3 |
| In stiller Nacht | — | — | — | Piano, Voice, Choir, A Cappella, Low Voice | Classical | 4 |
| Symphony No. 4 In E Minor : Mvt. IV (Facsimile Of Composer's Manuscript) | — | — | E minor | Piano | Classical | 3 |
| Sunday | — | — | — | Piano, Tuba | Classical | 3 |
| Andante Con Moto | — | — | — | Piano, Flute, Clarinet | Classical | 5 |
| 7. Secondo - VIII Presto | — | — | — | Piano | Classical | 3 |
| Opus 52 #1 - Rede, Madchen, allzu leibes | — | Opus 52 | — | Piano, Voice, Choir | Classical | 4 |
| Opus 52 #5 - Die Grune Hopfenranke | — | Opus 52 | — | Piano, Voice, Choir | Classical | 4 |
| Opus 52 #11 - Nein, es ist nicht auszukommen | — | Opus 52 | — | Piano, Voice, Choir | Classical | 4 |
| Opus 65 #2 - Finstere Schatten der Nacht | — | Opus 65 | — | Piano, Voice, Choir | Classical | 4 |
| Opus 65 #3 - An jeder Hand die Finger | — | Opus 65 | — | Piano, Voice, Choir | Classical | 4 |
| Opus 65 #7 - Vom Gebirge Well auf Well | — | Opus 65 | — | Piano, Voice, Choir | Classical | 4 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 7573295. Portrait: C. Brasch , Berlin ( biography ), Public domain, via Wikimedia Commons.