Composer
Johannes Brahms
1833–1897
4,957 works in the index
- Born
- 1833
- Died
- 1897
- Birthplace
- Hamburg
- Citizenship / historical state
- Hamburg
- Period (estimated from birth year)
- Romantic
Biography
Brahms wrote densely and revised ruthlessly, destroying what did not satisfy him, so the surviving catalogue is smaller than his contemporaries' and uniformly serious. It covers symphonies, concerti, a large body of chamber music, songs and late piano pieces.
For pianists the late Op. 116–119 pieces are the heart of it — short, inward and technically less punishing than the earlier sonatas, though musically demanding. The Hungarian Dances in their four-hand form are the most-played thing he wrote and are genuinely approachable. Singers have over two hundred songs and the German Requiem.
His piano writing assumes a large hand and comfortable tenths appear regularly. Editions differ little; what varies is fingering, and an edition with good fingering is worth paying for here.
In this catalogue
- Common listed instruments
- Piano, Voice, Choir, Low Voice, Orchestra
- Genres represented
- Classical, Jazz, pop, Pop, Christmas
- Works with composition dates
- 255 of 4,957
These details describe the indexed sheet music, including arrangements.
Catalogue
Works page 40 of 104
Years are composition dates where known. Instruments describe editions in our catalogue and may include arrangements. A dash means the detail is not recorded.
| Work | Year composed | Catalogue / opus | Key in title | Listed instruments | Genre | Editions |
|---|---|---|---|---|---|---|
| Verrath (Treachery) | — | — | — | — | Classical | 2 |
| Tambourliedchen | — | — | — | Piano, Voice, Horn, Low Voice | Classical | 4 |
| Es liebt sich so lieblich im Lenze | — | — | — | Piano, Voice, Voice High, Low Voice | Classical | 5 |
| Der Kranz | — | — | — | Piano, Voice, Low Voice | Classical | 4 |
| St?ndchen | — | — | — | Piano, Low Voice | Classical | 3 |
| Keinen hat es noch gereut | — | — | — | Low Voice | Classical | 3 |
| Liebe kam aus fernen Landen | — | — | — | Low Voice | Classical | 3 |
| Romances from Magelone No 7, Twas for thee, for thee my lips were burning | — | — | — | Low Voice | Classical | 2 |
| Romances from Magelone No 13, Sulima | — | — | — | Low Voice | Classical | 2 |
| Wie bist du, meine K?nigin | — | — | — | Piano, Low Voice | Classical | 3 |
| Rainsong | — | — | — | — | Classical | 3 |
| Far From Home | — | — | — | — | Classical | 3 |
| Ich sah als Knabe | — | — | — | — | Classical | 3 |
| Vom Strande | — | — | — | Voice, Low Voice | Classical | 2 |
| Un?berwindlich | — | — | — | Low Voice | Classical | 1 |
| Beim Abschied | — | — | — | Voice, Low Voice | Classical | 2 |
| Entf?hrung | — | — | — | Low Voice | Classical | 1 |
| Maienk?tzchen | — | — | — | — | Classical | 1 |
| Steig auf, geliebter Schatten | — | — | — | Voice | Classical | 2 |
| As fame and power fast fade away | — | — | — | — | Classical | 2 |
| Are they sorrow, are they pleasure | — | — | — | — | Classical | 2 |
| Weg Der Liebe, 1. Teil | — | — | — | — | Classical | 2 |
| Murrays Ermordung | — | — | — | Low Voice | Classical | 2 |
| Der Kuss | — | — | — | Voice, Low Voice | Classical | 1 |
| Magyarisch | — | — | — | Voice, Low Voice | Classical | 2 |
| Herbstgef?hl | — | — | — | Low Voice | Classical | 1 |
| Abendd?mmerung | — | — | — | — | Classical | 1 |
| Es tr?umte mir | — | — | — | — | Classical | 3 |
| Die Spr?de | — | — | — | — | Classical | 1 |
| Vor?ber | — | — | — | — | Classical | 1 |
| Agnes | — | — | — | Voice | Classical | 2 |
| Wenn um den Holunder | — | — | — | — | Classical | 2 |
| An Die Nachtigall | — | — | — | — | — | 1 |
| Sagt mir, o sch?nste Sch?f'rin mein | — | — | — | Low Voice | Classical | 1 |
| Feinsliebchen | — | — | — | Low Voice | Classical | 2 |
| Och Moder, ich well en Ding han | — | — | — | Low Voice | Classical | 2 |
| Es wohnet ein Fiedler | — | — | — | Low Voice | Classical | 2 |
| Du mein einzig Licht | — | — | — | Low Voice | Classical | 2 |
| Ich wei | — | — | — | Low Voice | Classical | 2 |
| Sonntag | — | — | — | — | — | 1 |
| O liebliche Wangen | — | — | — | — | — | 1 |
| Klarinettensonate Es-dur | — | — | — | Piano, Clarinet, Viola | Classical | 2 |
| Finale. Allegro Comodo | — | — | — | Piano | Classical | 2 |
| Opus 52 #10 - O wie sanft die Quelle | — | Opus 52 | — | Piano, Voice, Choir | Classical | 2 |
| Opus 52 #12 - Schlosser auf, und mache Schlosser | — | Opus 52 | — | Piano, Voice, Choir | Classical | 2 |
| Opus 52 #13 - Vogelein durchrauscht die Luft | — | Opus 52 | — | Piano, Voice, Choir | Classical | 2 |
| Opus 52 #14 - Sieh, wie ist die Welle klar | — | Opus 52 | — | Piano, Voice, Choir | Classical | 2 |
| Opus 52 #17 - Nicht wandle, mein Licht | — | Opus 52 | — | Piano, Voice, Choir | Classical | 2 |
Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. The biography above is our own. Authority record: VIAF 7573295. Portrait: C. Brasch , Berlin ( biography ), Public domain, via Wikimedia Commons.