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Portrait of Sir Arthur Sullivan

Composer

Sir Arthur Sullivan

English composer of the Gilbert & Sullivan duo (1842-1900)

1842–1900

212 works and musical collections

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Born
1842
Died
1900
Birthplace
London
Place of death
London
Citizenship / historical state
United Kingdom of Great Britain and Ireland
Period (estimated from birth year)
Romantic

Biography

Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord".

The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Leipzig Conservatoire in Germany. His graduation piece, incidental music to Shakespeare's The Tempest (1861), was received with acclaim on its first performance in London. Among his early major works were a ballet, L'Île Enchantée (1864), a symphony, a cello concerto (both 1866), and his Overture di Ballo (1870). To supplement the income from his concert works he wrote hymns, parlour ballads and other light pieces, and worked as a church organist and music teacher.

In 1866 Sullivan composed a one-act comic opera, Cox and Box, which is still widely performed. He wrote his first opera with W. S. Gilbert, Thespis, in 1871. Four years later, the impresario Richard D'Oyly Carte engaged Gilbert and Sullivan to create a one-act piece, Trial by Jury (1875). Its box-office success led to a series of twelve full-length comic operas by the collaborators. After the extraordinary success of H.M.S. Pinafore (1878) and The Pirates of Penzance (1879), Carte used his profits from the partnership to build the Savoy Theatre in 1881, and their joint works became known as the Savoy operas. Among the best known of the later operas are The Mikado (1885) and The Gondoliers (1889). Gilbert broke from Sullivan and Carte in 1890, after a quarrel over expenses at the Savoy. They reunited in the 1890s for two more operas, but these did not achieve the popularity of their earlier works.

Sullivan's infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. He also wrote incidental music for West End productions of several Shakespeare plays, and held conducting and academic appointments. Sullivan's only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. In his last decade Sullivan continued to compose comic operas with various librettists and wrote other major and minor works. He died at the age of 58, regarded as Britain's foremost composer. His comic opera style served as a model for generations of musical theatre composers that followed, and his music is still frequently performed, recorded and pastiched.

Biography excerpt from Wikipedia contributors, available under CC BY-SA 4.0. Formatting and reference markers have been removed; the introduction may be shortened. View contributors and article history.

Source revision used for this excerpt

Life and musical career

Occupations
composer; organist; conductor; music educator; musicologist
Education
Royal Academy of Music; University of Music and Theatre Leipzig; Duke of York's Royal Military School
Recorded memberships
Gilbert and Sullivan
Instruments played
piano; pipe organ
Genres
opera; incidental music; song; symphony; ballet; cantata; oratorio
Notable works
Trial by Jury; The Sorcerer; H.M.S. Pinafore; The Pirates of Penzance; Patience; Iolanthe; Princess Ida; The Mikado; Ruddigore; The Yeomen of the Guard; The Gondoliers; The Lost Chord
Awards
Knight of the Legion of Honour; Mendelssohn Scholarship; Member of the Royal Victorian Order; Knight Bachelor
Birth name
Arthur Seymour Sullivan
Languages used
English
VIAF ID
95208295
ISNI
0000000081679107
GND ID
118799371
Library of Congress ID
n80019543
MusicBrainz ID
4b466f5e-4620-4084-8841-3fe4ea38e689

Recorded in Wikidata. Affiliations may refer to earlier stages of the composer's career.

In this catalogue

Common listed instruments
Piano, Vocal, Voice, Cello, Orchestra
Genres represented
Classical, Children, pop, Pop, Traditional
Source entries with composition dates
21

These details describe the indexed sheet music, including arrangements.

Catalogue

Sheet music catalogue page 3 of 5

Instruments describe listed editions, including arrangements. Composition dates and keys appear where recorded; collection pages show their individual contents.

Works and musical collections with sheet music details
Title Work details Listed instruments Sheet music
'a Nice Dilemma' See work details
  • Voice
Classical
View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 3: When Frederic was a little lad - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act I, No. 9: What ought we to do? - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 15: Oh, dry the glistening tear - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 20: All is prepared! - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 24: With cat-like tread - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act I, No. 4: Oh, better far to live and die - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act I, No. 10: How beautifully blue the sky - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 16: Now Frederic, let your escort - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 25: Hush, hush! not a word - Vocal Score See work details
  • Piano
  • Vocal
Classical
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Concerto D Major - Score See work details
  • Piano
  • Cello
Classical
View sheet music Work & edition details
Loudly Let the Trumpet Bray - Tuba See work details See edition details Classical View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 1: Overture - Vocal Score See work details See edition details Classical View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 5: Oh, false one! - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act I, No. 11: Stay, we must not lose our senses - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 17: Now for the Pirate's lair! - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 21: Stay, Frederic, stay! - Vocal Score See work details
  • Piano
  • Vocal
Classical
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Concerto D Major - Cello See work details
  • Piano
  • Cello
Classical
View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 6: Climbing over rocky mountain - Vocal Score See work details
  • Piano
  • Vocal
Classical
View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 12: Hold, Monsters! - Vocal Score See work details
  • Piano
  • Vocal
Classical
View sheet music Work & edition details
Concerto D Major - Preface See work details See edition details Classical View sheet music Work & edition details
Loudly Let the Trumpet Bray - Trumpet 1 in B-flat See work details See edition details Classical View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 7: Stop, ladies, pray! - Vocal Score See work details
  • Piano
  • Vocal
Classical
View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 13: I am the very pattern of a modern Major-General - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 18: When you had left our pirate fold - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 22: Yes, I am brave! - Vocal Score See work details
  • Piano
  • Vocal
Classical
View sheet music Work & edition details
Loudly Let the Trumpet Bray - Trumpet 2 in B-flat See work details See edition details Classical View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 2: Pour, o King, the pirate sherry - Vocal Score See work details
  • Piano
  • Vocal
Classical
View sheet music Work & edition details
The Pirates of Penzance - Act I, No. 8: Poor wandering one - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act I, No. 14: Oh, men of dark and dismal fate - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 19: Away, away - Vocal Score See work details
  • Piano
  • Vocal
Classical
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The Pirates of Penzance - Act II, No. 23: A rollicking band - Vocal Score See work details
  • Piano
  • Vocal
Classical
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Loudly Let the Trumpet Bray - Horn in F See work details See edition details Classical View sheet music Work & edition details
The Pirate King See work details
  • Choir
View sheet music Work & edition details
Lost Chord,The See work details
  • Piano
  • Cello
View sheet music Work & edition details
Pirates of Penzance - Act I, No. 3: When Frederic was a little lad, The - Vocal Score See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Pirates of Penzance: Vocal Score See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Let the Punishment Fit the Crime See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Gilbert and Sullivan's Famous Songs See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Farewell My Own See work details
  • Piano
  • Vocal
View sheet music Work & edition details
When Fred'ric Was A Little Lad See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Love Ia A Plaintive Song See work details
  • Piano
  • Vocal
View sheet music Work & edition details
The Captain Of The Pinafore See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Good Morrow, Good Lover! See work details
  • Piano
  • Vocal
View sheet music Work & edition details
Wandering Minstrel I, A See work details
  • Piano
  • Vocal
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Carefully On Tiptoe Stealing See work details
  • Piano
  • Vocal
View sheet music Work & edition details
I Cannot Tell See work details
  • Piano
  • Vocal
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None Shall Part Us See work details
  • Piano
  • Vocal
View sheet music Work & edition details

Biographical record: Wikidata, matched on name and checked against dates held in the catalogue. The period label is an estimate from birth year. Authority record: VIAF 95208295. Portrait: Unknown (Elliott & Fry), Public domain, via Wikimedia Commons.