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Instrument

Orchestra sheet music

12,859 titles in the index · page 1 of 200

The single most expensive mistake in this part of the catalogue is buying a score when what you needed was a set of parts. They are different products at wildly different prices, and a listing that says "orchestra" may mean either.

The listing below covers full and study scores, parts and part sets, arrangements for school and amateur orchestra, and solo works with orchestral accompaniment.

Leoš Janáček - Lašské Tance

  • Piano
  • Orchestra

Danse Des Mirlitons (The Nutcracker Suite Op.71a) [Tchaikovsky, Pyotr Ilyich]

Pyotr Ilyich Tchaikovsky

  • Piano
  • Orchestra

Elegy

John Corigliano

  • Orchestra
  • Clarinet

Symphony No.4

Charles E. Ives

  • Orchestra

Livre Pour Orchestra

Lutoslawski, Witold

  • Orchestra

Cello Concerto In A Minor Op.129 [Schumann, Robert]

Camille Saint-Saëns; Robert Schumann

  • Orchestra

Cello Concerto No.1 (Saint Saens)

Camille Saint-Saëns; Robert Schumann

  • Orchestra

Concerto In B Minor Op.104 [Dvorak, Antonin]

Camille Saint-Saëns; Robert Schumann

  • Orchestra

Symphony No. 6 'Pathetique' [Tchaikovsky, Piotr Ilyich]

Pyotr Ilyich Tchaikovsky

  • Orchestra

The Pirates Of Penzance

Arthur Seymour Sullivan

  • Voice
  • Orchestra

A Spirit In Mourning

Gerard Schurmann

  • Orchestra

Aubade

Gerard Schurmann

  • Orchestra

Le Grand Concert

Gerard Schurmann

  • Orchestra

Moonbird

Gerard Schurmann

  • Orchestra

Summa Ferri

Gerard Schurmann

  • Orchestra

Symphony No.3

Richard Rodney Bennett

  • Orchestra

Intrada

Richard Rodney Bennett

  • Orchestra

Lullaby

Richard Rodney Bennett

  • Orchestra

Fujarka (Fife)

Lutoslawski, Witold

  • Orchestra

Hurra Polka

Lutoslawski, Witold

  • Orchestra

Piosenka (Song)

Lutoslawski, Witold

  • Orchestra

Taniec (Dance)

Lutoslawski, Witold

  • Orchestra

Symphony No.3

Lutoslawski, Witold

  • Orchestra

Novelette For Orchestra

Lutoslawski, Witold

  • Orchestra

Chain 3

Lutoslawski, Witold

  • Orchestra

Interlude

Lutoslawski, Witold

  • Orchestra

Symphony No.4

Lutoslawski, Witold

  • Orchestra

Triptyque Silesien

Lutoslawski, Witold

  • Orchestra

Chat Moss

Sir Peter Maxwell Davies

  • Orchestra

Theme And Variations (Mavis In Las Vegas)

Sir Peter Maxwell Davies

  • Orchestra

The Turn Of The Tide

Sir Peter Maxwell Davies

  • Orchestra

Time And The Raven

Sir Peter Maxwell Davies

  • Orchestra

Jimmack The Postie

Sir Peter Maxwell Davies

  • Orchestra

Threnody On A Plainsong For Michael Vyner

Sir Peter Maxwell Davies

  • Orchestra

Sinfonietta Accademica

Sir Peter Maxwell Davies

  • Orchestra

Eternity's Sunrise

John Tavener

  • Orchestra

Theophany

John Tavener

  • Orchestra

Capricio Espagnol

Nikolay Rimsky-Korsakov

  • Orchestra

Dance Of The Buffoons

Nikolay Rimsky-Korsakov

  • Orchestra

Russian Easter Festival Overture

Nikolay Rimsky-Korsakov

  • Orchestra

Serenade In C Op.48

Pyotr Ilyich Tchaikovsky

  • Orchestra

Suite No.4 'Mozartiana' Op.61

Pyotr Ilyich Tchaikovsky

  • Orchestra

Musicians Wrestle Everywhere,

Judith Weir

  • Orchestra

Sonnets To Orpheus

Richard Rodney Bennett

  • Orchestra

The Belles Of St.Trinians

Malcolm Arnold

  • Orchestra

The Bridge Over The River Kwai

Malcolm Arnold

  • Orchestra

Toy Symphony

Malcolm Arnold

  • Orchestra

The Piano Concerto

Michael Nyman

  • Piano
  • Orchestra

Buying guide

What to know before you buy

Score, study score, parts, set

A full score shows every instrument on its own stave. One conductor needs one. A study score is the same content printed small — for reading, not conducting.

A part is one player's line. A set of parts is the whole orchestra's worth, and is what actually costs money: several hundred pounds is normal, and for material still in copyright it is often hire-only rather than for sale.

If a listing gives a price in single figures for a symphony, you are looking at a study score. If it runs to hundreds, it is a set. If it says "hire" or "rental", the publisher will not sell it to you at any price and the transaction goes through their hire library.

Transposing parts, and why the score looks wrong

Orchestral scores print transposing instruments at written pitch, not sounding pitch — clarinet in B♭ and A, horn in F, trumpet in B♭, cor anglais in F. A score therefore looks as though several instruments are in the wrong key, and they are not.

Some twentieth-century scores are printed at concert pitch throughout and say so on the first page. Both conventions are in use, and a conductor reading one as the other will hear something unexpected at the first rehearsal.

What is free

Everything written before roughly 1930 is out of copyright, and public-domain archives hold scans of the old collected editions — the whole standard repertoire, scores and parts, at no cost. Those scans are often the nineteenth-century performing editions with their own errors, and orchestral librarians will tell you a bad part costs more rehearsal time than a good edition costs money. For reading and study, they are excellent.

Common questions

Does buying an orchestral score include the parts?
No. A score is the conductor's copy. Parts are sold or hired separately as a set, and the set is usually the expensive item.
What does "hire only" mean?
The publisher rents the performance material rather than selling it, which is standard for works still in copyright. You cannot buy those parts at any price; you apply to the publisher's hire library.
Why do the clarinet and horn look like they are in the wrong key?
They are transposing instruments and scores print them at written pitch. A horn part in F sounds a fifth below what is written. Some modern scores print everything at concert pitch and state so on the first page.